Bach Bibliography Search Result

Series : ^MQ$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	The 'Forty-Eight' from the Player's Standpoint.	MQ	11	3	Jul 1925	444-453
	2.	Bach, Beethoven, Brahms.	MQ	13	2	Apr 1927	329-343
	3.	Bach's Swan-Song ['Vor Deinen Thron'].	MQ	19	3	Jul 1933	233-237
	4.	Sebastian Bach, Modernist.	MQ	2	4	Apr 1916	295-313
	5.	Bach's Singet dem Herrn: A Conjecture.	MQ	21	2	Apr 1935	125-131
	6.	The Bachs and Eisenach.	MQ	21	2	Apr 1935	132-142
	7.	J. S. Bach's First English Apostles.	MQ	21	2	Apr 1935	143-154
	8.	Bach Portraits.	MQ	21	2	Apr 1935	155-165
	9.	The Art of the Fugue.	MQ	21	2	Apr 1935	166-178
	10.	Bach at Bethlehem, Pennsylvania.	MQ	21	2	Apr 1935	179-189
	11.	Early German Keyboard Music.	MQ	23	2	Apr 1937	210-237
	12.	Bach's 'Musical Offering'.	MQ	23	3	Jul 1937	314-332
	13.	Music and Stamps.	MQ	24	1	Jan 1938	1-10
	14.	Certain Aspects of the Bach Movement.	MQ	24	4	Oct 1938	501-511
	15.	On Musical Book-Plates.	MQ	25	2	Apr 1939	135-141
	16.	Johann Sebastian Bach's Last Composition: the Chorale-Prelude Vor deinen Thron tret' ich hiemit.	MQ	26	4	Oct 1940	467-482
	17.	'Venite in Bethlehem' - The Major Chord.	MQ	28	2	Apr 1942	174-185
	18.	A 'New' Bach Portrait.	MQ	29	2	Apr 1943	225-241
	19.	Bach and Blavet.	MQ	30	1	Jan 1944	84-86
	20.	Adventures and Discoveries of a Manuscript Hunter.	MQ	31	4	Oct 1945	492-503
	21.	Luther on Music.	MQ	32	1	Jan 1946	80-97
	22.	Bach and the Art of Temperament.	MQ	33	1	Jan 1947	64-89
	23.	C. P. E. Bach's Essay: An Introduction.	MQ	33	4	Oct 1947	460-480
	24.	Pitch in the sixteenth and early seventeenth centuries.	MQ	34	1, 2, 3, 4	Jan, Apr, Jul, Oct 1948	28-45; 199-221; 336-357; 575-593
	25.	Bach's Technique of Transcription and Improvised Ornamentation.	MQ	35	1	Jan 1949	26-35
	26.	New Light on the Last Years of Carl Philipp Emanuel Bach.	MQ	35	4	Oct 1949	565-587
	27.	The Violin and Its Technique in the 18th Century.	MQ	36	1	Jan 1950	9-38
	28.	'The Rivals' - Hawkins, Burney, and Boswell.	MQ	36	1	Jan 1950	67-82
	29.	Why did J. S. Bach Transpose his Arrangements?	MQ	36	2	Apr 1950	180-203
	30.	On the Keyboard accompaniments to Bach's Leipzig Church music.	MQ	36	3	Jul 1950	339-362
	31.	Artistic interrelations of the Bachs.	MQ	36	3	Jul 1950	363-374
	32.	More for the Bach reader.	MQ	36	4	Oct 1950	485-510
	33.	Editorial.	MQ	36	4	Oct 1950	574-578
	34.	A problem of Rhythm in Baroque music.	MQ	38	4	Oct 1952	533-565
	35.	Bach's Attitude towards History.	MQ	39	3	Jul 1953	396-414
	36.	Symbolism in Music.	MQ	39	4	Oct 1953	554-575
	37.	Some Aspects of the Revival of Bach.	MQ	40	2	Apr 1954	201-221
	38.	On the Pitches in Use in Bach's Time.	MQ	41	3, 4	Jul; Oct 1955	332-334; 466-480
	39.	On Mozart's Rhythm.	MQ	42	2	Apr 1956	162-186
	40.	Matthaeus Greiter's Fortuna: An Experiment in Chromaticism and in Musical Iconography.	MQ	43	1	Jan 1957	68-85
	41.	When Is a Concerto Not a Concerto?	MQ	43	2	Apr 1957	220-232
	42.	Editorial. [About Bach and Handel, and the Old Testament]	MQ	45	2	Apr 1959	223-229
	43.	A Brief Note on Triple Proportion in Schuetz.	MQ	46	1	Jan 1960	67-70
	44.	Recent Developments in Bach Chronology.	MQ	46	3	Jul 1960	283-300
	45.	On the Interpretation of Bach's Trills.	MQ	49	3	Jul 1963	289-310
	46.	Misconceptions about the French Trill in the 17th and 18th Centuries.	MQ	50	2	Apr 1964	188-206
	47.	Bach in the Romantic Era.	MQ	50	3	Jul 1964	290-306
	48.	Musical Genius - Evolution and Origin of a Concept.	MQ	50	3, 4	Jul; Oct 1964	321-340; 476-495
	49.	Emanuel Bach's Autobiography.	MQ	51	2	Apr 1965	363-372
	50.	On the interpretation of Bach's Gigues.	MQ	51	3	Jul 1965	478-492
	51.	Rhythmic Symmetry in the Goldberg Variations.	MQ	52	2	Apr 1966	204-208
	52.	Schumann's View of 'Romantic'	MQ	52	2	Apr 1966	221-232
	53.	External Evidence and Uneven Notes.	MQ	52	4	Oct 1966	448-464
	54.	A Problem of Inequality.	MQ	53	4	Oct 1967	503-517
	55.	J. S. Bach's Youth.	MQ	54	1	Jan 1968	1-30
	56.	The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750.	MQ	54	4	Oct 1968	503-523
	57.	'Widrigkeit' and 'Verdriesslichkeit' in Mühlhausen.	MQ	55	1	Jan 1969	20-30
	58.	Ornament and Structure.	MQ	56	2	Apr 1970	153-161
	59.	How J. S. Bach composed four-part Chorales.	MQ	56	2	Apr 1970	198-221
	60.	New Research on Bach's Musical Offering.	MQ	57	3	Jul 1971	379-408
	61.	Christoph Nichelmann and the early clavier concerto in Berlin.	MQ	57	4	Oct 1971	636-655
	62.	The Analysis and Evaluation of Music: A Philosophical Inquiry.	MQ	58	2	Apr 1972	161-184
	63.	The 'Hamlet' fantasy and the literary element in C.P.E. Bach's music.	MQ	58	2	Apr 1972	277-296
	64.	The Ornaments in Bach's Organ Works.	MQ	6	3	Jul 1920	392-402
	65.	Accompanied keyboard music.	MQ	60	2	Apr 1974	222-245
	66.	The Fantasia as Musical Image.	MQ	60	4	Oct 1974	602-615
	67.	The Chronology of Bach's Saint Matthew Passion.	MQ	61	3	Jul 1975	360-387
	68.	Bach the Progressive: Observations on His Later Works.	MQ	62	3	Jul 1976	313-357
	69.	Facts and Fiction about Overdotting.	MQ	63	2	Apr 1977	155-185
	70.	Music for two harpsichords (Musik für zwei Cembali) and German keyboard music of about 1700.	MQ	63	4	Oct 1977	562-572
	71.	Parody and Contrafactum: A Terminological Clarification.	MQ	65	1	Jan 1979	1-21
	72.	Music and Rhetoric in early 17th century English sources.	MQ	66	1	Jan 1980	53-64
	73.	George Polgreen Bridgetower: An African Prodigy in England 1789-99.	MQ	66	1	Jan 1980	65-82
	74.	The myth of the unappreciated (musical) genius.	MQ	66	2	Apr 1980	219-231
	75.	The Overdotting Syndrome: Anatomy of a Delusion.	MQ	67	3	Jul 1981	305-347
	76.	A new look at Schumann's impromptus.	MQ	67	4	Oct 1981	568-586
	77.	The Romantic Mendelssohn: The Composition of 'Die erste Walpurgisnacht'.	MQ	68	3	Jul 1982	398-410
	78.	Ordering Problems in J. S. Bach's Art of Fugue Resolved.	MQ	69	1	Winter 1983	44-61
	79.	J. S. Bach and his Leipzig Collegium Musicum.	MQ	69	3	Summer 1983	323-353
	80.	Something 'Bigger' than the Bethlehem Bach Festivals.	MQ	7	1	Jan 1921	118-126
	81.	Beethoven's Long-Term Memory of C. P. E. Bach's Rondo in E Flat, W. 61/1 (1787), Manifest in the Variations in E Flat for Piano, Opus 35 (1802).	MQ	70	1	Winter 1984	45-76
	82.	The Answer to Elgar's Enigma.	MQ	71	2	1985	205-210
	83.	Bach's Earliest Autograph.	MQ	71	3	1985	235-263
	84.	The Bach Flute.	MQ	71	3	1985	264-280
	85.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	MQ	71	3	1985	281-294
	86.	Form and Spirituality in Bach's St. Matthew Passion.	MQ	71	3	1985	295-326
	87.	J. S. Bach's Concerto Ritornellos and the Question of Invention.	MQ	71	3	1985	327-358
	88.	Recompositions by Schoenberg, Stravinsky, and Webern.	MQ	72	3	1986	301-328
	89.	Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No.2 in D Minor for unaccompanied Cello, S. 1008.	MQ	73	2	1989	212-248
	90.	Brahms's Düsseldorf Suite Study and His Intermezzo, Opus 116, No. 2.	MQ	73	2	1989	249-283
	91.	A third Gainsborough portrait of Johann Christian Bach?	MQ	74	2	1990	295-302
	92.	Politics, Patriotism, and Polonaise: A Possible Revision in Bach's Suite in B Minor.	MQ	74	4	1990	610-622
	93.	Bach and the French Ouverture.	MQ	75	2	Summer 1991	174-197
	94.	Schumann's View of 'Romantic' (April 1966)	MQ	75	4	Winter 1991	176-187
	95.	Rhythmic Symmetry in the Goldberg Variations (April 1966).	MQ	75	4	Winter 1991	188-193
	96.	Editorial (October 1959) [comparison of Bach and Handel].	MQ	75	4	Winter 1991	74-80
	97.	Bach Meets Liszt: Traditional Formal Structures and Performance Practices in Progressive Rock.	MQ	76	1	Spring 1992	67-92
	98.	Inequality (Inégales): A New Point of View.	MQ	76	2	Summer 1992	169-183
	99.	J. S. Bach's Brandenburg Concertos as a Meaningful Set.	MQ	77	2	Summer 1993	193-235
	100.	Sara Levy and the Making of Musical Taste in Berlin.	MQ	77	4	Winter 1993	651-688
	101.	'Thus Far, But No Farther': Fanny Mendelssohn-Hensel's Unfinished Journey.	MQ	77	4	Winter 1993	689-708
	102.	Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion.	MQ	77	4	Winter 1993	718-726
	103.	Ferruccio Busoni, His Chicago Friends, and Frederick Stock's Transcription for Large Orchestra and Organ of the Fantasia contrappuntistica.	MQ	80	2	Summer 1996	302-331
	104.	Chopin's counterpoint: The Largo from the Cello Sonata, Opus 65.	MQ	83	1	Spring 1999	114-133
	105.	Mozart, Bach, and Musical Abjection.	MQ	83	4	Winter 1999	509-535
	106.	Toward a Twenty-First-Century Bach Biography.	MQ	84	3	Fall 2000	497-525
	107.	Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach.	MQ	84	4	Winter 2000	756-775
	108.	Through the Aperture: Brahms's Gigues, WoO 4.	MQ	86	3	Fall 2002	530-581
	109.	Pergolesi's Stabat Mater and the politics of feminine virtue.	MQ	87	3	2004	570-614
	110.	Reger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing.	MQ	87	4	Winter 2004	749-770
	111.	Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich.	MQ	91	3-4	Fall-Winter 2008	379-411
	112.	The Early Enlightenment, Jews, and Bach.	MQ	94	4	Winter 2011	518-547